In the exhibition, which is like a spacecraft, curators and artists will lose their established identities but become explorers and builders like cosmonauts. This journey, as an Odyssey drift of closed time and space, the capsule will also be seen as a total installation, copied from a flowing open space into a countpart and again, here and now, into an open and topological collaborative theater, where artists play the roles of science fiction writer, product designer, game designer, sound creators and visual artist. Nobody will empower themselves with heroism, but do their jobs. One premise, of course, is that they have to convince themselves that within the total order, there is still an aura slipping through the net. In that last situation, all you need to do is to wait quietly for the spectator, the seeker.
“n+2”的太空漫游 [n]位總體協作: 大悲宇宙(林琨皓)、傅志剛、侯柯杉、黃成、李維伊、王智一、陽芷倩、張業鴻將以不同以往的身份出現,共同建構一個開放情境。 [2]位駐地介入: Btr,將在展覽期間駐地,為宇宙盡頭的餐廳(the Restaurant at the Egg of Universe)撰寫專屬它的小說。 喜鵲,將在展覽現場見縫插針進行創作。
Spacewalk of "n+2" Total collaboration: DABEIYUZHOU-Lin Kunhao, Fu Zhigang, Hou Keshan, Huang Cheng, Li Weiyi, Wang Zhiyi, Yang Zhiqian, Zhang Yehong will present in different roles, to create an open scene together. <2> Residency intervention: Btr will write a novel for The Restaurant at the Egg of the Universe during the exhibition. Happybird usually avail themselves of every opportunity according to the scene.
李維伊 《輸入法》 書籍及定制輸出 Li Weiyi Book and costomized print 2015 尺寸可變 Variable
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